Billie Eilish
THE DINER lyrics
- Language
- English
- Level
- Beginner
- Released
- 2024
- Genre
- Pop
- Length
- 3:07
Don't be afraid of me
I'm what you need
I saw you on the screens
I know we're meant to be
You're starrin' in my dreams
In magazines
You're lookin' right at me
I'm here around the clock
I'm waitin' on your block
But please don't call the cops
They'll make me stop
And I just wanna talk
Bet I could change your life
You could be my wife
Could get into a fight
I'll say you're right
And you'll kiss me goodnight
I waited on the corner 'til I saw the sitter leave
Was easy getting over and I landed on my feet
I came in through the kitchen lookin' for something to eat
I left a calling card so they would know that it was me
I tried to save you, but I failed
Two-fifty thousand-dollar bail (two hundred fifty thousand-dollar)
While I'm away, don't read my mail (don't read my mail)
Just bring a veil (just bring a veil)
And come visit me in jail (visit me in jail)
I'll go back to the diner
I'll write another letter (I'll write another letter)
I hope you'll read it this time
You better
The cops around the corner stopped me when I tried to leave
They told me I was crazy, and they knocked me off my feet (they told me I was crazy)
They came in through the kitchen lookin' for something discrete
I left a calling card so they would know that it was me
Ah-ah, ah-ah
Ah, ah, ah
Know that it was me
I memorized your number, now I call you when I please
I tried to end it all, but now I'm back up on my feet
I saw you in the car with someone else and couldn't sleep
If somethin' happens to him, you can bet that it was me
–3956
310-807-3956
310-807-3956
Lyrics powered by www.musixmatch.com
Key vocabulary
- need
- must haveA1
- right
- correctA1
- say
- talkA1
- you're
- you areA1
- i'm
- I amC2
- saw
- cut with a toolB1
- starrin
- acting in a film
- save
- keep from being lostA2
- failed
- did not succeedB2
- two-fifty
- 250 dollars or units
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About this song
Billie Eilish is an American singer-songwriter and producer in the alternative and experimental pop sphere. She is known for her minimalist, often dark sound and for her breakthrough albums dont smile at me and WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?