
Sam Smith
Baby, You Make Me Crazy lyrics
- Language
- English
- Level
- Beginner
- Released
- 2017
- Genre
- R&B, Pop
- Length
- 3:28
You say that you're leaving, but I don't think I can let go
When you put the phone down, I began to cry
What are you to do when the person that you love just says no?
Boy, get yourself together, move on with your life
So I'm gonna play my favorite rhythm
Got to get you out my system
I would do anything to keep you off my mind
I'm gonna have to call my sisters
Be around the ones who listen
Anything to drown you out tonight
Baby, you make me crazy
Why'd you have to fill my heart with sorrow?
Save me, make it all hazy
So I don't think about you 'til tomorrow
It wasn't enough, but you could've had the guts to face me
It would have meant so much if you'd looked me in the eye
Why do I always fall for the ones who have no courage?
I must see some kind of beauty in their eyes
So I'm gonna play my favorite rhythm
Got to get you out my system
I would do anything to keep you off my mind
I'm gonna have to call my sisters
Be around the ones who listen
Anything to drown you out tonight
Baby, you make me crazy
Why'd you have to fill my heart with sorrow?
Save me, make it all hazy
So I don't think about you 'til tomorrow
Baby (baby) you make me crazy (you make me crazy)
Why'd you have to fill my heart with sorrow?
Save me, make it all hazy
So I don't think about you 'til tomorrow
Baby, you make me crazy
Why'd you have to fill my heart with sorrow?
Save me, make it all hazy
So I don't think about you 'til tomorrow
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Key vocabulary
- who
- person thatB1
- together
- in the same placeA1
- what
- which thingA1
- yourself
- you, aloneA1
- you're
- you areA1
- don't
- do notA1
- when
- at what timeB1
- beauty
- lovelinessB1
- about
- concerningA1
- anything
- no matter whatA1
About this song
Sam Smith is a British singer in pop and soul, known for emotionally direct ballads and a high-velocity falsetto voice. They first broke through as a featured vocalist on dance hits before rising to global attention with In the Lonely Hour and later Grammy-winning releases including the Bond theme “Writing’s on the Wall” and Gloria.