Taylor Swift
Come Back… Be Here lyrics
- Language
- English
- Level
- Intermediate
- Released
- 2012
- Genre
- Pop
- Length
- 3:44
You said it in a simple way
4:00 a.m. the second day
How strange that I don't know you at all
Stumbled through the long goodbye
One last kiss, then catch your flight
Right when I was just about to fall
I told myself, don't get attached
But in my mind, I play it back
Spinning faster than the plane that took you
And this is when the feeling sinks in
I don't wanna miss you like this
Come back, be here
Come back, be here
I guess you're in New York today
I don't wanna need you this way
Come back, be here
Come back, be here
The delicate beginning rush
The feeling you can know so much
Without knowing anything at all
And now that I can put this down
If I had known what I'd known now
I never would've played so nonchalant
Taxi cabs and busy streets
That never bring you back to me
I can't help but wish you took me with you
And this is when the feeling sinks in
I don't wanna miss you like this
Come back, be here
Come back, be here
I guess you're in London today
And I don't wanna need you this way
Come back, be here
Come back, be here
This is falling in love in the cruelest way
This is falling for you and you are worlds away
In New York, be here
But you're in London, and I break down
'Cause it's not fair that you're not around
This is when the feeling sinks in
I don't wanna miss you like this
Come back, be here
Come back, be here
I guess you're in New York today
And I don't wanna need you this way
Come back, be here
Come back, be here
Oh-oh, oh-oh
I don't wanna miss you like this
Oh-oh, oh-oh
Come back, be here
Come back, be here
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Key vocabulary
- how
- in what wayA1
- way
- method or directionA1
- a.m
- morning time period
- strange
- unusual; oddA2
- back
- toward the rearA1
- don't
- do notA1
- down
- not up; sadA1
- fall
- go downA1
- feeling
- emotionA1
- flight
- trip by airplaneA1
About this song
Taylor Swift is an American singer-songwriter who works in country and pop, known for albums and songwriting that blend autobiographical details with wide-ranging pop production and narrative storytelling. She is recognized for her major crossover from Nashville country to mainstream pop, including landmark releases like Red and 1989, and for the global Eras Tour.